Maxwell perfected the strange alchemy whereby a victim becomes a villain and turns against the ones she could and should have protected.

The notion that AI and other digital technologies will “democratize the art market” is naive at best and dangerous at worst.

Cultural time seems increasingly to have no boundaries, no fixed points that demarcate then from now, and no obvious pathway back to the wide-open spaces of the 1960s and 1970s. There is just so much stuff now that it is harder to make sense of it, to winnow the great from the good from the pet rocks.

The Legacy of Deep Throat in a Digital Age

Linda Lovelace (nee Boreman) cycled through so many personas in her short life that it is difficult to place her in the pop culture landscape.